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  • Silent Signals

    May 5, 2026
    Life & Love

    Last week, my sleep was unusually light; restless in a way I couldn’t quite explain. I’ve always believed I have a certain sensitivity to people, an almost instinctive awareness when someone is thinking about me or quietly calling me to mind. It’s the reason my messages or check-ins can seem random to others. But more often than not, when I reach out, it’s because something in me senses that someone, somewhere, might need it.

    That week, though, the feeling was different. Persistent. Unsettling.

    I couldn’t shake the sense that it was tied to someone from my past—a friend I no longer speak to because of unresolved issues. Night after night, they appeared in my dreams. Not once, not twice, but every single night. It wasn’t something I welcomed. Dreams, after all, don’t ask for permission. They arrive uninvited, stirring memories you thought had long settled.

    Some might say it was simply my subconscious at work; that perhaps, deep down, I had been thinking about this person. But the truth is, I can’t even remember the last time they crossed my mind while I was awake.

    So I’m left wondering.

    Was it one-sided? Was it just me, caught in the quiet echoes of something unfinished? Or could it be that somewhere, in ways we can’t fully explain, they were thinking of me too?

    Still, in a world where reaching out is as simple as making a call, silence feels like a choice. And perhaps that silence says more than any dream ever could.

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  • Almost Gone

    April 30, 2026
    Life & Love

    I still remember the color of the water that day.
    Not bright blue, not inviting…just restless, reflecting the dark clouds gathering above Bataan as an incoming Signal #3 typhoon approached.

    It was my birthday.

    My siblings, who were based in Bataan then, gathered at Pan Resort for a simple family celebration. We ate too much, laughed too loudly, and tried to ignore the weather that threatened to cancel the day. But Filipinos have a way of pushing joy through storm warnings. So we swam anyway.

    The pool was alive with noise: splashing water, children shouting, adults teasing each other, plates of food waiting under covered tables while the wind slowly grew stronger.

    I was happy.
    Very happy.

    I remember swimming for a long time, feeling light despite being completely full from eating. I kept moving around the pool until I drifted farther than I realized. Then suddenly, my feet could no longer touch the floor.

    The deep part.

    At first, I thought I could easily recover. I tried to swim back, but my body felt heavy. My stomach was too full. My movements became weak and strangely slow. The more I tried to stay afloat, the more exhausted I became.

    Then came the terrifying realization:

    I was drowning.

    Not dramatically.
    Not like in movies.

    There was no screaming. No wild splashing. No one noticing.

    That is the strange thing about drowning…it can happen quietly.

    I remember wanting to call for help, but I could barely speak. It felt as if my body had already decided that breathing was more important than words. Around me, everyone was still laughing, swimming, enjoying the birthday celebration.

    And there I was, silently slipping beneath the water.

    Oddly enough, panic did not completely take over. Somewhere in that frightening moment, I stopped fighting so hard. I relaxed my body enough to keep from sinking deeper, allowing myself to drift little by little until I finally reached the side of the pool.

    I held onto the edge.

    Alive.

    I do not remember anyone realizing what almost happened.

    And I never told them.

    Not that day.

    I did not want to ruin the mood. I did not want my birthday to suddenly become “the day someone almost died.” So I stayed quiet, dried myself off, and carried on as if nothing had happened while the typhoon winds slowly rolled closer outside the resort.

    Years later, that memory still visits me sometimes.

    Not because I want attention for surviving it, but because of what it revealed about me.

    Even in danger, my instinct was silence.
    Even while struggling, my instinct was not to disturb others.
    Even on the edge of panic, part of me was still protecting everyone else’s happiness.

    Maybe many people are like that.

    Maybe some of us learn very early to endure quietly: to survive without making noise, to carry fear privately, to recover before anyone notices we were ever in trouble.

    But every now and then, I think about that younger version of myself floating in dark water beneath typhoon skies in Bataan, trying not to alarm anyone while fighting to stay alive.

    And I want to tell her something she did not know back then:

    You did not have to disappear just to keep the moment beautiful.

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  • Palimos ng Pag-ibig

    April 17, 2026
    That’s Entertainment

    Palimos ng Pag-ibig (1986), starring Vilma Santos and Edu Manzano, is a drama that interrogates the uneasy intersection of love, entitlement, and societal expectations. At its core, the film is less about romance and more about the consequences of choices shaped by cultural pressure.

    The story follows Fina and Rodel, a seemingly happy married couple whose relationship fractures upon discovering that Fina cannot bear a child. For Rodel, fatherhood becomes an obsession rather than a shared dream, pushing him toward a transactional arrangement with Ditas, played by Dina Bonnevie. What begins as a pragmatic solution evolves into emotional infidelity, revealing how easily justification can blur into betrayal.

    The film’s strength lies in its portrayal of Fina. Rather than embodying the submissive archetype often expected of women in the 1980s, she asserts a quiet but firm refusal to accept her husband’s actions. Her stance challenges the era’s unspoken rule: that a woman must endure humiliation to preserve the family unit. In doing so, the film subtly critiques a culture that equates womanhood with motherhood.

    However, the narrative also exposes the limitations of its time. The acceptance of adoption as a viable option is not just a plot choice but a reflection of prevailing attitudes; where lineage and biological ties were prioritized over emotional bonds. From a contemporary perspective, this makes Rodel’s decision feel less justifiable and more self-serving.

    Ultimately, Palimos ng Pag-ibig endures not because it offers answers, but because it captures a moment in Filipino social history when love was often negotiated within rigid expectations. Its relevance today lies in how it invites viewers to question those expectations; and to recognize how far, or how little, perspectives on marriage, fidelity, and parenthood have evolved.

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  • Hiding in Balanga Cathedral

    April 11, 2026
    Poems & Stories

    I was still in junior high
    small enough
    to believe cathedrals could hide a person whole.

    A senior high boy
    walked behind me
    with the persistence of an unanswered bell.

    So I slipped inside the cathedral
    into the cool hush of stone and stained light
    and let an hour kneel itself beside me.

    I thought time
    would teach him to leave.

    But when I stepped outside
    the afternoon still carried his waiting.

    So I fled deeper…
    to the eucharistic chapel
    where silence had a second door.

    He did not know the sacred geometry of the place.
    He searched from the wrong side
    until his eyes found me
    across the divide.

    Between us,
    iron bars.
    He on the other side
    while I was looking from the inside.

    “Can I fetch you home?”
    he whispered
    through the metal.

    And there,
    with heaven on one side
    and the street on the other,
    I learned the holiness of refusal.

    No,
    I said.

    The word did not echo.
    It simply stood there,
    firm as the iron between us.

    Then came his heavy steps,
    the sigh of surrender,
    the slow leaving
    of someone who finally understood
    that wanting is not the same as being welcome.

    I stayed
    until the chapel was only breathing
    and the fear had turned into memory.

    Even now,
    I remember how awkward
    we might have looked that day.

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  • How Will I Know

    April 4, 2026
    Poems & Stories

    I’ll be honest: this song is not 100% my composition.

    The lyrics are entirely mine, born from a poem I wrote about unrequited love when I was a teenager.

    Every line came from a real feeling, a real place in the heart.

    But the music itself was created with AI.

    The best way I can describe it is this: the lyrics are the soul, and AI simply created the body.

    I only gave a few directions—how I wanted the tempo to feel, the mood it should carry, and my wish for it to have a guitar version. From there, technology did something almost magical and turned words into melody.

    And yes, I am genuinely amazed by how far technology has come.

    Still, I also believe that a true musical genius, someone who creates from pure instinct, emotion, and lived experience, could make something far deeper and more beautiful than what AI can currently produce.

    What fascinates me and also worries me is this: if anyone can now create songs through AI, what will music sound like in the future? Will many songs begin to feel similar because they are born from the same algorithms?

    That thought makes me wonder whether convenience might slowly replace the beautiful struggle of human creation.

    To me, great music has always come from the heart first. The mind only helps shape it afterward. When technology removes too much of that emotional labor, I sometimes fear we risk losing the raw humanity that makes songs timeless.

    But for me, this was never about replacing artistry.

    I made this song simply out of fun, curiosity, and a desire to hear how my words might live in another form.

    AI is impressive, yes.

    But the human touch will always be the best part of any art.

    So with that said, enjoy my song.

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  • The Economic Crisis During My Parents’ Time

    March 31, 2026
    Life & Love

    Only now am I beginning to understand my parents’ generation.

    My parents were born in the 1950s, which means their childhood, youth, and family-building years unfolded alongside some of the most difficult economic periods in Philippine history. Looking at the timeline of what the country was going through helps me understand why their attitudes toward money, food, and resilience were shaped the way they were.

    When they were children: the 1960s

    When they were kids in the 1960s, the Philippines was still carrying the long shadow of post-war rebuilding. Many families lived simply, often on a single income, and resources were limited. Jobs were hard-earned, luxuries were rare, and children were raised to value every peso.

    This was likely where their instinct to save things, avoid waste, and make do with what was available first took root. Scarcity was not a lesson from books—it was everyday life.

    When they were young adults: the 1969 peso crisis

    By the time they were entering adulthood in the late 1960s, the country was hit by the 1969 balance-of-payments crisis, which led to a sharp peso devaluation and rising prices.

    Imagine being in your late teens or early twenties, just beginning to dream about work, marriage, or helping your family, and suddenly everything becomes more expensive.

    Now I understand why people from their generation often hold tightly to moments of comfort when money comes in. What may look like being a “one-day millionaire” can actually be the emotional aftermath of growing up in uncertainty. When life teaches you that abundance can disappear quickly, spending on family, food, or long-delayed wants can feel less like carelessness and more like reclaiming joy.

    When they were building their future: the 1970s oil shocks

    In the 1970s, when they were in their twenties and likely beginning careers or raising young families, the world was hit by the 1973 and 1979 oil crises.

    Fuel prices surged, transportation became expensive, electricity costs rose, and food prices followed. For an import-dependent country like the Philippines, this would have made daily life even harder.

    This also helps me understand why food became sacred in their household values.

    When they say, “Life is hard. Eat what is on the table,” those words come from a generation that lived through years when food choices were a luxury. For them, what is served is not just a meal–it is proof that the family made it through another difficult day.

    Their words carry the memory of years when there may have been little choice, little excess, and no guarantee of tomorrow’s meal.

    When they were raising families: the 1983–1985 recession

    By the time they were in their early thirties, the Philippines entered one of its worst recessions from 1983 to 1985.

    Inflation surged, jobs became unstable, and the peso weakened again. If they were already raising children by then, the pressure must have been enormous: school expenses, food, transportation, and the constant fear of not having enough.

    This period may explain why they became deeply resilient.

    Their strength was not accidental. It was built during years when they had to endure instability, stretch limited resources, and keep moving forward despite uncertainty.

    Why I understand them now

    Looking at the decades they lived through, I finally understand why they became who they are.

    Their relationship with money was shaped by repeated cycles of lack and recovery. Their respect for food came from remembering what it felt like to have little. Their toughness came from surviving years when the country itself was struggling.

    So when I see habits that once confused me–spending generously when money arrives, insisting we finish what is on the table, staying emotionally strong through hardship—I no longer see contradiction.

    I see history.

    I see a generation raised by scarcity, molded by national crises, and strengthened by survival.

    And perhaps the greatest thing they passed on was not fear of hardship, but the quiet confidence that even after living through “nothing,” they still found a way to endure until the very end.

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  • The Memoirist

    March 24, 2026
    Life & Love

    My classmates and childhood friends have often described me as someone with a sharp memory.

    I remember what happened when we were kids: who cried on the first day of school, who was naughty, who was quiet, who was the teacher’s pet, who seemed to stand out even at a young age. These small details stayed with me, not because I tried to hold on to them, but because they simply never left.

    As we grew older, my friends from my teenage years were often amused—or sometimes a little cynical—about my tendency to remember everything. I could recall who dated whom, who was considered the most admired in school, who fought over what, and who quietly carried their first heartbreak.

    Occasionally, I share pieces of my own story too. I remember the quick getaways from school, the people I once found endearing, and the season of my life when bouquets of flowers would arrive at my college room from quiet admirers. I remember my first boyfriend as well—someone who, in hindsight, was far too controlling (sorry! haha)

    From a memoirist’s point of view, these memories are not meant to entertain or provoke. I tell them to revisit the moments that shaped me, to understand how each experience—no matter how simple or complex—contributed to the person I am today.

    When I speak of the love I lost as a teenager, I do not dwell on the person. Instead, I acknowledge the timeline of events, trusting that both the good and the painful helped form the way I now see the world—with clarity, without bitterness, and without regret.

    Not everyone understands how a memoirist’s mind works. But for me, remembering is not about holding on—it is about understanding, and quietly moving forward.

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